About Interact Thailand – Newsletter 1
January 11, 2014
Since 2010, the RIDC (Rajanagarindra Institute of Child Development) in Chiang Mai has hosted Jeanne Calvit and other Twin Cities theater artists to help develop an integrated theater program based on the model created by Interact Theater in Minneapolis. RIDC is an international hospital that works with hundreds of children from across the disability spectrum. The effort is coordinated by Dr. Samais from RIDC and Mike Lemming from Chiang Mai University and, over the past four years, has grown from a fledgling idea to a program that has eight full-time staff as well as a support team that provides lunch, medical services and transportation. This year, the actors in the program had six months of theater training with staff prior to the arrival of the American team.
In the past four years they have raised the money for and are almost finished building a massive multi-purpose hospital that holds two theaters, a hotel and a restaurant. The building is spectacular although it’s difficult to photograph because you can’t get far enough away to capture a good shot. Instead, I have a couple photos of the lobby and a view from the piano keys. (I will keep working on procuring a really good photo.)
About the Show – The Song of Songkran
A prominent part of Thai story-telling revolves around ghosts and spirits. These stories permeate all aspects of the culture (class, sex, age) and include humorous stories such as Phi-pop who is a spirit that takes a human form and likes to eat people’s innards (we don’t understand why this is funny) or Nang Tani, the spirit of the banana trees who is very sexy and can float through the air. There are also scary, helpful and inspiring spirits that I will describe in later correspondence.
We have decided to use a Western ghost story – A Christmas Carol – as a framework to tell some of these Thai ghost stories in a fun and creative way. Instead of Christmas we are celebrating the Thai New Year called Songkran. Thai New Year is during April (the hottest month in Thailand) and involves a three-day public water fight where everyone soaks each other all day long. Additionally, people bring handfuls of sand to the temples and build sandcastles to recompense dirt they carried away by their feet during the year. Also, there are a variety of talent shows with prize-winners throughout the country.
Our miserly Scrooge/Grinch character (official name TBD) hates Songkran and does everything he can to make it fail – trying to shut off the water supply, vacuuming up the sand from the temple, cancelling the talent show. He is wildly (and humorously) unsuccessful. He will be visited by three Thai spirits. While we have yet to determine all three, the “ghost of Christmas present” will be Nang Tani and will be played by one of the staff named Pong – a muscly brutish guy who will be dressed in traditional Thai dress and a Carmen Miranda-style fruit-bowl hat. His song is called ‘Do You Like My Bananas?’ and includes and island dance number by the entire company.
Meet the Thailand Interactors!
This is Add. This is his third year in the program. Add is really a leader among the performers. He’s the first one to jump up for any exercise. He commits fully to whatever he’s doing and while he has limited verbal skills, he makes up for it with his dancing. He loves break-dancing and movement in general. He recently won an award at the hospital for his general attitude and overwhelming desire to be helpful. He’s the only one who has won such an award. He always has a smile on his face, but this week was able to find a neutral face for the first time during exercises and received a lot of applause.
This is Fah. This is her third year in the program. Jeanne has been particularly impressed with Fah this year because in prior years she had absolutely no attention span. She would get up and walk in and out of rehearsal, wouldn’t participate in exercises and had a generally apathetic attitude. Now, she takes part in everything, has gained a great deal of concentration and is the first one to greet everyone in the morning. She’s really come out of her shell and has become a great company member.
Both Add and Fah are proof that, if given a chance and the time to grow, artists with disabilities can contribute a great deal to their communities and be inspirations to everyone around them.
Interact Newsletter No. 2 (January 13 – 17, 2014)
January 18, 2014
About Interact Thailand
This week I’m hoping to help people understand how Interact Thailand came to fruition and introduce you to all the people who helped make it happen. As you will see it’s a mixture of visionary ideas, serendipity, determination and a large helping of generosity. Also, I think it’s important to note that all of this started because someone was changed and moved by the Interact performers in Minneapolis. Interact Thailand great example of how the Interactors in Minneapolis are changing lives every day – even when they don’t it – halfway across the world.
Meet Doctor Samai!
Doctor Samai is the Director of RIDC (Rajanagarindra Institute of Child Development) in Chiang Mai. One of Dr. Samai’s primary responsibilities is the research and implementation of new programs and technology that will help the development and growth of people with disabilities or those undergoing rehabilitation.
“Why is Interact Thailand important to you?”
In Thailand, we have taken several steps to promote the development of our citizens with disabilities. In the past we’ve use the term ‘force’ in regard to people’s improvement. Then, we progressed to providing ‘choices’ to help them. But there needs to be more. We must ‘inspire’. The Interact Thailand program allows us to do that. It inspires the participants while they inspire others. At the same time, we’ve noticed it simultaneously develops their social skills and learning skills while increasing their motivation.
“What are your goals for Interact Thailand?”
When we started, we tried a drama and music program with the staff at the hospital, but it became clear (with Jeanne’s guidance) that we needed more specialized artists focused in that area specifically. Over the past four years we have continued to add staff in order to grow the program. Eventually we hope the program will go year-round like Interact in Minneapolis.
It is my dream that our program will become more radically inclusive and include children and parents from throughout the hospital, not just those with disabilities. Once we have established the program in Chiang Mai we hope to replicate the Interact Thailand model in other hospitals throughout Thailand and Asia.
Meet the Lemings!
For many years, both Ann and Mike Leming have been professors at St. Olaf College in Northfield. They currently split their time between Minnesota and Chiang Mai.
In 2001, Mike and Ann co-founded Spring Semester in Thailand (www.springsemesterinthailand.com) – a program that encourages students from across the United States to study in Thailand for a semester. In past years, part of the students’ experience includes work at Baan Sanook (the Happy House) which a center for adults with disabilities. At Baan Sanook the client artists do Thai weavings they can sell to support themselves.
In 2002, Interact toured to St. Olaf where Ann was teaching a course on children with disabilities. Ann was inspired by the Interact performers and started using Interact’s promotional video as a resource for her class. Six years later, Ann finally met Jeanne at an Interact art show at the University of MN.
Ann instantly saw the connection between Interact and Baan Sanook. Then in 2009, Ann and Michael came to Northern Lights Southern Cross and decided they’d like to explore building an Interact program in Thailand. Ann introduced Jeanne to Mike and within a month Jeanne was in Thailand doing a workshop. “No grass grows under their feet,” Ann said when I interviewed them.
Another part of the students’ experience from Spring Semester in Thailand was to work with Dr. Samai and the staff at RICD so the Lemings included him in the initial planning. Once Dr. Samai heard about the program and Jeanne’s initial visit, he provided space and connections with professional theater artists.
Four years later, students from Spring Semester in Thailand (both from this year AND years past) are participating in the Interact Thailand performances (as are the Lemings themselves)!
About the Show – A Song of Songkran
This week, three new songs were written for the show: My Heart Will Never Break Again (a duet between young ‘Scrooge’ – we still haven’t found a Thai name – and old ‘Scrooge’), Songkran! Songkran! (a chorus number written by Interact Thailand’s music director and choreographer, Pong and Bam) and The Silver Lining to the Cloud (the closing number). They are in both Thai and English – a huge and exciting challenge. For fun, I have included the English lyrics to The Silver Lining to the Cloud below.
Ning Nong (our ‘Scrooge’) character has really embraced his role. We have a created a scene where everyone is begging for money and he turns them down. Bah Humbug! The real challenge is to get everyone to stop laughing because Ning Nong is one of the nicest people in the world and he REALLY gets into his curmudgeonly character.
In our production “Marley’s Ghost” has taken form of a frog and is played by an actor named Tom. Tom has such incredible muscle control he can stay crouched like a frog for what seems like an eternity and then bounce around – he really looks like a frog. When he croaks he says “Op, Op, Op” – the Thai word for GREED (thank you, Kevin Kling for another brilliant idea.) This moment is evidently really funny for the younger actors. They laugh a lot while we’re rehearsing.
We have developed about five scenes all of which are full of energy and sanook (joy). Much like the staff in the U.S., the staff here is in charge of energizing people when things get tedious. They run around doing a thousand jobs at once and work endless hours. Like at Interact in Minneapolis, you can tell the staff wants the show to be the best it can possibly so that the audience is truly awed by what the actors with disabilities can do. And just like at home, the staff performs side-by-side with the Interactors – blurring the lines between who is disabled and who isn’t. Sometimes, the lines become invisible.
Meet the Thailand Interactors!
Meet Fluke! Fluke is playing the “Tiny Tim” character. He has been a performer for over four years and is a particularly good singer. The singing helps strengthen his diaphragm – a muscle that is underdeveloped because of his cerebral palsy and being in a wheelchair. “I’m very excited to work with Interact Thailand and I’d like to keep performing… but only if in the future I can play the villain!” (NOTE: Fluke’s dad is Ning Nong… our ‘Scrooge’ character.)
Meet Riang! This is her first performance – a surprise since she is an incredibly expressive singer and fantastic actor. She loves playing the role of the workhouse boss because finally gets the chance to bark orders at people and command a room. Unlike some of the other Thai actors, she is unafraid to be loud. In fact, she’s almost as loud as me (which is saying something). When I asked her why she is so confident vocally she said: “Because my body doesn’t work 100 percent, I need to put EVERYTHING into my voice.”
THE SILVER LINING TO THE CLOUD
from ‘A Song of Sanook’
We have many different smiles
We have many different names
We have many different styles
We have many different ways of making a difference
of making a change
To be a better mother
To be a better son
To be a better partner
To always be the one a friend can turn to when they’re down
when there’s no one else around
We are the past
We are the now
We are the future
We are who and why and how
We are dreamers and believers
We are leaders, we are clowns
We are the music-makers
The silver lining to the cloud
We have many different angles
We have many different roles
We have many different challenges
And many different goals when making a difference
when making a change
To be the better father
To be a better friend
To be a better neighbor
To be a shoulder when you’re feeling empty and alone
no place to call your own
We are the past
We are the now
We are the future
We are who and why and how
We are dreamers and believers
We are leaders we are clowns
We are the music-makers
The silver lining to the clouds
Yesterday, today
Tomorrow and beyond
Every path is walk-able
If we navigate with love
Copyright 2014
Aaron Gabriel Music
All rights reserved
Newsletter No. 3 (January 27-31, 2014)
January 23, 2014
About Interact Thailand
Meet Ning Nong and Tan!
Ning Nong and Tan used to live in Songkla (Southern Thailand) and would commute 3000 kilometers so their son Fluke (who has cerebral palsy) could take part in the different therapies offered by RICD. Eight years ago, they decided to give up very profitable jobs, their home and their family to move to Chiang Mai so Fluke could have more therapy. In Chiang Mai, they found it difficult to find work because of language differences (they speak two very different types of Thai in Northern and Southern Thailand) so they sold cookies at street markets to earn a meager living. Still, they say, it was worth it because of the improvement they saw in Fluke.
During this time, Tan became quite depressed because she felt she couldn’t provide for her children. One day she began writing and channeled her sadness into poems and essays about the world of disability. She then presented her writings to Dr. Samaii who was very impressed and decided to help her and her family. He gave her a job in the laundry room and Fluke was able to be in programming while she worked.
In 2012 Fluke participated in the Interact Thailand production. It was during this time they noticed major improvements in Fluke’s progress. Ning Nong began to volunteer with the program while Tan worked at the hospital. Ning Nong’s energy, creativity and commitment to son and other performers was so palpable, Jeanne not only used Ning Nong in the performance, she recommended Ning Nong work in the music and theater therapy program. Now, thanks to their incredible dedication to betterment of their son, both Ning Nong and Tan have become primary staff for the Interact Thailand program and work for six months prior teaching theater and music.
They are so impressed with the tangible progress of those in the program, they hope the program can grow. Along with becoming more confident performers, everyone involved has grown exponentially in focus, concentration, muscle-memory and social skills.
‘And most importantly, we have all grown spiritually – both our children and us.”
About the Show – A Song of Songkran
This week we started blocking (a theater term for ‘staging’) the show and working out the transitions between the musical numbers and scenes. There are many funny charaters including a devious maid (played by Ginsane, pictured below) who manipulates Scrooge a lot and a group of silly spirits that show Scrooge the light.
The song Songkran, Songkran has now been choreographed in three different ways for three different scenes in three different musical styles. Musical assistants Pong and Bam have really done a lot of great work and have been a pleasure to work with.
At this point, all the songs have been written and include Songkran! Sonkran!, The Golden Babies Rhyme, Do You Like my Bananas?, Ya Ya’s Lullabye and The Silver Lining to the Cloud. Below, I have included the English translation of Songkran! Songkran! for you to read. I hope it helps illuminate some of the traditions associated with this celebration (Thai New Year).
I caught a picture of Ning Nong (our ‘Scrooge’ who is featured above) rehearsing his part with his son Fluke (featured last week) while Fluke played the other parts, coached him and laughed with his dad. It was very moving.
Meet the Thailand Interactors!
Meet Gadesine!
She been participating in the Interact Thailand program for the three years. She loves acting – especially comedic acting. Her favorite moment from the current show is the part where Young Scrooge and his girlfriend get engaged. Gadesine is very excited about the future of the Interact Thailand program and is specifically interested in portraying a squid or other sea life at some point.
In our production Gadesine plays Scrooge’s Maid and the Spirit of Songkran Future.
This is Aomsing!
This is Aomsing’s fourth year in the program. He loves to sing and try out his English (he’s a very good mimic.) He sings a lot in the show and plays the Good Golden Baby.
He also loves that everyone is creating a show where he can celebrate Songkran everyday.
SONGKRAN! SONGRKAN!
from ‘A Song of Sanook’
Songkran! Songrkan! Spread your joy across our land
Songkran! Songkran! Join us together hand-in-hand
Songkran! Songkran! Watch all the people play
Songkran! Songkran! The water helps us celebrate
Songkran! Songkran! Grandpa, Grandma gather near
Atone! Atone! To all the generations here
Songkran! Songkran! Come to the temple! Come to pray!
Come one, come all for it’s pagoda-building day
[A singer does Thai yodeling]
Copyright 2014
Aaron Gabriel Music
All rights reserved
January 28, 2016 at 3:08 pm
Aaron,
You make each person you meet feel valuable – and that is a rare gift, my friend. I hope you are doing well, taking care of yourself and getting enough rest. You are amazing.
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January 28, 2016 at 3:16 pm
You’re so sweet to say such kind words. I will let your kindness continue to inspire me.
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